Wednesday, October 13, 2010

I Am Love

I Am Love Review



The intoxicating I Am Love (Io sono l'amore) begins in winter. On a gray Milan day, snow encases the Recchis' villa. But inside, the abode is glorious and bustling. Emma (Tilda Swinton) works with her servants to prepare a dinner in which her father-in-law (Gabriele Ferzetti) will name the successor to his business. Emma's beautiful family arrives one by one, and the banquet proceeds.

No one seems to fit more into the Recchis' immaculate lifestyle than Emma, a Russian transplant. She is close to her children, especially her confiding daughter Elisabetta (Alba Rohrwacher) and oldest son Edoardo (Flavio Parenti). He works for the Recchi business and supports his best friend Antonio's (Edoardo Gabbriellini) efforts to start a new restaurant. Emma attends Antonio's family restaurant where his cooking affects her like an aphrodisiac.

I Am Love is a hypnotic addition to the oft told story of a woman's awakening. As the film moves into and through the heights and depths of summer weather, several characters embark on a journey of self discovery and freedom. The dazzling score, featuring many pieces by John Adams, is as much a part of the movie as its imagery. While there are subtle commentaries on character, globalization, and classism, much of the symbolism is obvious. Birds flutter against church ceilings; moths fight against lamp shades. Gourmet food, naked bodies, and edenic scenery are lovingly illuminated.

Because the dialogue is occasionally cliché, I Am Love works best when no explanations are given. Tilda Swinton is superb, and the attractive supporting cast is excellent. Italian director Luca Guadagnino's highly dramatic film is not for everyone, but some will adore this sweeping symphony of transformation and love.




I Am Love Overview


I AM LOVE tells the story of the wealthy Recchi family, whose lives are undergoing sweeping changes. Eduardo Sr., the family patriarch, has decided to name a successor to the reins of his massive industrial company, and in so doing, surprises everyone by splitting power between his son Tancredi and grandson Edo. However, Edo dreams of opening a restaurant with his friend Antonio, a talented chef. At the heart of Tancredi's family is his wife, Emma (Tilda Swinton), a Russian immigrant who has adopted the culture of Milan. An adoring and attentive mother, Emma's existence is shocked to the core when she falls deeply in love with Antonio and pursues a passionate love affair that will change his family forever.


I Am Love Specifications


This movie is like eating bonbons in a hothouse. For some films, walking the fine line between sublime and silly becomes an entertainment in itself, and such is the case with I Am Love, Luca Guadagnino's lush drama set within an Italian business dynasty in Milan. We see much of the film from the perspective of an outsider who has nevertheless fitted herself into this aristocratic world for many years: Emma, the Russian-born wife of the textile company's new CEO. She's played by Tilda Swinton, whose customarily penetrating work is enhanced by her speaking Russian and Italian (how does she do it?). The Russian heritage might be a tip-off--Emma could have a touch of Anna Karenina about her--because she embarks on a grand affair with a much younger man. The many levels of melodrama play out against gorgeous exteriors and wildly overdressed interiors, as though Guadagnino looked back through Italian film heritage and decided it was time for someone to out-do the opulent visions of Luchino Visconti. Adding to the strong flavor of high aestheticism is the soundtrack, which uses various excerpts of pieces by the great contemporary composer John Adams, to evocative effect (the opening shots of snowed-over Milan buildings are spellbinding). But let's not forget about the silly: one can concede the movie's usefulness as eye candy while noting that there is something fundamentally pretentious and overheated about it all, a designer's vision of storytelling. I Am Love overshoots the sublime by a wide margin, but it's fun to consume. --Robert Horton

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