Showing posts with label Broadway. Show all posts
Showing posts with label Broadway. Show all posts

Wednesday, November 10, 2010

TCM Greatest Classic Films Collection: Broadway Musicals (Show Boat / Annie Get Your Gun / Kiss Me Kate / Seven Brides for Seven Brothers)

TCM Greatest Classic Films Collection: Broadway Musicals (Show Boat / Annie Get Your Gun / Kiss Me Kate / Seven Brides for Seven Brothers) Review






TCM Greatest Classic Films Collection: Broadway Musicals (Show Boat / Annie Get Your Gun / Kiss Me Kate / Seven Brides for Seven Brothers) Overview


SHOW BOAT (1951) A vivid and vibrant saga of riverboat lives and loves has glorious stars (Kathryn Grayson, Ava Gardner, Howard Keel, Marge and Gower Champion) in Technicolor radiance, timeless Jerome Kern/Oscar Hammerstein II songs and an equally timeless outcry against racial bigotry. Like Ol' Man River, its delights just keep rollin' along. ANNIE GET YOUR GUN Betty Hutton (as Annie Oakley) and Howard Keel (as Frank Butler) star in this sharpshootin' funfest an Oscar winner for adaptation scoring based on the Broadway smash boasting Irving Berlins beloved songs, including Doin' What Comes Naturally, I Got Lost in His Arms and the anthemic There's No Business like Show Business. SEVEN BRIDES FOR SEVEN BROTHERS The perfect marriage of song and dance! Backwoods boys inspired by romance and the lure of hot biscuits raid the local town for brides. Un-uh: The would-be brides insist the fellas first become respectable! Howard Keel and Jane Powell head a leaping whoop for joy in this exuberant Oscar winner. KISS ME KATE When squabbling ex-married's Kathryn Grayson and Howard Keel are cast as squabbling Renaissance romantics in a musical The Taming of the Shrew, life imitates art, art imitates life and it all proves no musical comedy imitates this backstage/onstage delight from the Broadway hit with 14 peerless Cole Porter songs. It's all Too Darn Hot!


TCM Greatest Classic Films Collection: Broadway Musicals (Show Boat / Annie Get Your Gun / Kiss Me Kate / Seven Brides for Seven Brothers) Specifications


Turner Classic Movies' Greatest Classic Films Collection: Broadway Musicals collects four movies on two double-sided discs, with top picture quality and the bonus features that appeared on disc 1 when one of those films was released on a two-disc set, or the features that appeared on the single discs of the other three. The four films here aren't really Broadway musicals, but rather movies that were (with one exception) based on material originally created for the Broadway stage. Show Boat was one of the earliest shows in the modern-musical era, and this 1951 adaptation (the third, following versions in 1929 and 1936) stars familiar MGM players Kathryn Grayson, Ava Gardner, Howard Keel, and others in Jerome Kern and Oscar Hammerstein's Southern epic, featuring "Ol' Man River," "Can't Help Loving That Man of Mine," and more. Annie Get Your Gun (1950) stars Bettie Hutton (in a role intended for Judy Garland) as a spunky Western gal who gives Howard Keel all he can handle, and features such Irving Berlin standards as "There's No Business Like Show Business," "Anything You Can Do," and "Doin' What Comes Naturally." Grayson and Keel return again in Kiss Me Kate (1953), as life imitates art in a production of Shakespeare's The Taming of the Shrew, and the Cole Porter songs include "Wunderbar" and "So in Love." The exception is Seven Brides for Seven Brothers (1954), one of MGM's greatest original creations that was itself adapted for the stage years later. Keel woos Jane Powell to become his wife--and mother figure for his six brothers. Hilarity and much dancing ensue (especially in Michael Kidd's rousing barn number), and the Gene de Paul-Johnny Mercer songs include "Bless Yore Beautiful Hide," "Wonderful Wonderful Day," and "Spring, Spring, Spring." Bonus material on the two-sided discs is relatively plentiful for the TCM Classics series since only one of the movies had been released on a two-disc set: you lose Seven Brides for Seven Brothers' alternate cut and some supplemental material, but you still get director Stanley Donen's commentary track plus some trailers, shorts, and other material for the other three movies. --David Horiuchi

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Monday, November 8, 2010

Sweeney Todd - The Demon Barber of Fleet Street (Broadway) (Keepcase)

Sweeney Todd - The Demon Barber of Fleet Street (Broadway) (Keepcase) Review



This is a filmed edition of an actual staged production in front of an audience. Angela Lansbury delivers an incredible performance. We highly recommend this, both for its virtuosity and authenticity.

John & Nancy Morse




Sweeney Todd - The Demon Barber of Fleet Street (Broadway) (Keepcase) Overview


Times are hard in 1846 London and one must make do. So Nellie Lovett adds something extra to the meat pies she peddles on Fleet Street. The secret ingredient: freshly murdered victims of her partner in crime, barber Sweeney Todd. Composer/lyricist Stephen Sondheim refashions a macabre tale into a musical masterwork in this dazzling performance of the 1979 Broadway hit originally staged by Harold Prince. In her Tony-winning role (one of eight the show earned, including Best Musical), Angela Lansbury plays Nellie. George Hearn turns his stage role of twisted Sweeney into an Emmy-winning triumph. The score coils around itself in ever-tightening spirals. The lines ripple with black humor and madness. Enter Sweeney's tonsorial parlor. Attend the tale.


Sweeney Todd - The Demon Barber of Fleet Street (Broadway) (Keepcase) Specifications


Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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